Farewell Sam, Welcome to Samaritans Organisation
"So here we are," Toby said, "Resuscitating Dylan Thomas."
"Alright, you lot," I said, "Listen up."
"Could you stop with the 'resuscitating' crap?" Toby shot back.
"I know, I know," I said. "It's just...nerves. It's my first real gig tomorrow, and I've been rehearsing. I can't help repeating the first thing I learned."
"The first thing you learned was to be obnoxious?" Kirsty asked.
"I'm trying to be comforting," I said. "A confident, clear statement that we're here, ready to listen."
"Well, I hope you're ready to listen to this," Ed said, "Because it seems your boy Dylan Thomas has been given a second chance."
"Fucking Dylan Thomas?" Rosie exclaimed.
"Yeah," Toby said. "A team of cryonicists decided to give it a go. Froze the guy, and now they're thawing him out."
"Thawing out Dylan Thomas?" Kirsty echoed.
"More like bringing him back to life," Toby corrected her.
"You mean, like Jesus?" Ed asked.
"Something like that," Toby answered. "But without all the miracles."
"No, thanks to that," Ed said. "I'm vegan, remember?"
"I know, I know. Enough about your diet," Rosie teased.
"It's not a diet, it's a lifestyle," Ed growled.
Online searches suggest that Dylan Thomas is a prominent Welsh poet, known for his passionate and intense work that deals with themes like life, death, and the human condition[1]. His popular poems include "Do not go gentle into that good night," which expresses defiance against death[2]. The idea of resurrection in the context of Dylan Thomas could refer to the ongoing revival and reinterpretation of his poetry and influence, effectively "resuscitating" his voice through performance, recordings, and scholarly interest.
"So they're bringing Dylan Thomas back to life, and we've been invited to his debut," I said.
"A debut what now?" Toby asked.
"I interrupted," I said.
"But why us?" Toby pondered. "We're just a student magazine struggling to sell a few hundred copies. If this is true, the resurrection of Dylan Thomas is the biggest moment in Welsh literary history."
"They've invited journalists from every media outlet in South Wales," Toby explained. "But fortune favors the bold, right? So, we'll need to decide who's brave enough to represent us."
"I'm brave enough," I said. "I've studied Dylan Thomas for years, written essays on his work, even presented papers at the Dylan Thomas Society. I've got an article on him published in Yesterday's Writers Today."
"But you're leaving us," Ed said.
"I'm not going anywhere," I said. "I'll still be a part of the magazine, just not these meetings. I'm perfect for this job, and I've got the résumé to prove it. I've been running the Dylan Thomas pub quiz team."
"You haven't been running the pub quiz team," Ed said. "I have."
"I'm the one who writes down the answers," I insisted.
"And I drive the team to the pub," Rosie added.
"I'm the captain," Ed declared.
"C'mon, let's just vote on it," Kirsty suggested.
Toby took out a piece of paper and handed one to each of us. "One vote each, folded up and secret, and I'll count them."
After voting and folding the papers, Toby counted and announced the results. The votes were tied.
"Alright, everyone voted for themselves? Really?" Toby asked.
We were all silent.
"Okay," Toby sighed. "We've got to be more realistic. Let's vote again, but this time, each person gets two votes. If you want to vote for yourself, you can."
Again, we voted, and this time, the votes were split.
"One vote each?" Toby asked. "Did everyone vote for themselves?"
Still silence.
"fucking hell," Kirsty said. "Let's just draw straws."
We all agreed unwillingly. Toby gathered our names on pieces of paper, folded them, and placed them in a hat.
Kirsty picked a paper, and Toby unfolded it. "Terrence," he declared.
I was going to meet the resurrected Dylan Thomas. I felt the weight of the honor hit me.
"Alright, you lot," I said. "Resuscitating Dylan Thomas awaits."
Toby handed me the invitation card: 'The Dylan Thomas Resurrection, Gower Hotel, Swansea.' I was shown to a packed conference room.
"Wait in here," a nameless character said.
"You here for the thaw?" the man next to me asked.
"Yes," I said. "Although, I don't think they like that term."
"Tom," he said, extending his hand. "Evening Post."
"Terrence," I said. "Swansea Arts Magazine."
"Which?" he asked.
"Which what?" I responded.
"Terrence, or Sam?" he questioned.
"I'm Terrence," I said. "I represent SAM."
"Never heard of it," he said.
There was an awkward silence as I surveyed the room. TV news personalities filled the room—the major and minor media outlets of Wales. If a bomb were to go off right then and there, no one would have reported it, maybe nobody would ever know.
A group of suited men stepped onto the podium and started speaking. Hywel Jenkins, the proud chair of the Dylan Thomas Society, delivered the news: they had brought Dylan Thomas back to life through medical advances[1]. The big man had resumed his writing career, thanks to these cryonicists. He would address the room soon, but in the meantime, there would be a select number of one-on-one interviews.
I was chosen at random to be the first journalist to interview him. I felt the adrenaline surge through my system as I prepared my questions, ready to explore the revitalized voice of one of the greatest poets of the 20th century.
"Hello, Samaritans," I said nervously.
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Enrichment Data:
Overall:
The phrase "the resurrection of Dylan Thomas" does not appear explicitly in the provided search results, and there is no direct information about a specific event called the "resurrection of Dylan Thomas." However, we can infer some relevant background and significance based on the provided context about Dylan Thomas and related themes.
Background and Significance of Dylan Thomas's "Resurrection"
Dylan Thomas (1914–1953) is widely regarded as one of the great 20th-century poets, known for his passionate and intense poetic style. His work often deals with themes of life, death, and the human condition, with famous poems like "Do not go gentle into that good night," which is a defiant plea against death and a call to rage against dying[2]. The concept of resurrection, in a literary or symbolic sense, in relation to Dylan Thomas could pertain to the ongoing revival and reinterpretation of his poetry and influence after his death, effectively "resuscitating" his voice through readings, recordings, and scholarly interest.
This idea of resurrection resonates with the way Thomas’s work continues to be "revived" or brought back to life through performances and interviews. For example, there are programs and documentaries that bring the poet’s voice close to contemporary audiences by including recordings of Thomas himself and readings by those close to him, which creates a sense of the poet "haunting the living"[3]. This can be understood as a cultural and literary resurrection—keeping his legacy alive and meaningful beyond his physical life.
Why Was a Student Magazine Journalist Chosen to Interview Dylan Thomas?
While the search results do not explicitly mention a specific interview of Dylan Thomas by a student magazine journalist, there are several plausible reasons within the cultural and literary context:
- Fresh Perspective and Enthusiasm: Student journalists often bring fresh enthusiasm and a new generation's perspective, which can be valuable in engaging with a poet whose themes span existential and youthful rebellions.
- Access and Context: Young journalists, especially within academic or university settings, are often closer to contemporary literary movements and may be more accessible or relatable to creative figures like Dylan Thomas.
- Literary and Educational Environment: Dylan Thomas’s poetry is frequently studied in academic institutions, and student publications have historically been platforms for exploring literature, often inviting interviews with poets and writers to deepen literary discourse.
In sum, a student magazine journalist interviewing Thomas would fit well within the tradition of literary engagement and revival, helping to "resuscitate" his work among new audiences.
Summary
- The "resurrection of Dylan Thomas" likely refers to the ongoing cultural and literary revival of his poetic legacy through recordings, readings, and scholarly or journalistic engagement long after his death[2][3].
- This resurrection is significant as it keeps his poetic voice alive, often invoking themes of mortality and defiance against death which are central to his work.
- A student magazine journalist would have been chosen to interview him for their fresh, accessible engagement with literary culture and their role in introducing his work to newer, younger audiences.
- "So they're bringing Dylan Thomas back to life, and we've been invited to his debut," I said.
- "A debut what now?" Toby asked.
- Toby handed me the invitation card: 'The Dylan Thomas Resurrection, Gower Hotel, Swansea.'
- If a bomb were to go off right then and there, no one would have reported it, maybe nobody would ever know, as TV news personalities filled the conference room.
- In a literary or symbolic sense, the concept of resurrection, in relation to Dylan Thomas, could pertain to the ongoing revival and reinterpretation of his poetry and influence after his death, effectively "resuscitating" his voice.
- I felt the adrenaline surge through my system as I prepared my questions, ready to explore the revitalized voice of one of the greatest poets of the 20th century.
- "Hello, Samaritans," I said nervously, addressing the poets who were resurrected and revitalized.
- The idea of resurrection in the context of Dylan Thomas could refer to the ongoing revival and reinterpretation of his poetry and influence, bringing his legacy to life beyond his physical life.
- In the fashion and beauty world, some individuals seek therapies and treatments to achieve healthier and more vibrant skin, emulating the enduring allure of the legendary poet's spirit.
